Pure mathematics and Applied Mathematics
As in most areas of study, the explosion of knowledge in the
scientific age has led to specialization in mathematics. One major
distinction is between pure mathematics and applied mathematics.
Within applied mathematics, two major areas have split off and
become disciplines in their own right, statistics and computer
science. Many mathematicians talk about the elegance of mathematics,
its intrinsic aesthetics and inner beauty. Simplicity and generality
are valued. There is beauty also in a clever proof, such as Euclid's
proof that there are infinitely many prime numbers, and in a
numerical method that speeds calculation, such as the fast Fourier
transform. G. H. Hardy in A Mathematician's Apology expressed the
belief that these aesthetic considerations are, in themselves,
sufficient to justify the study of pure mathematics.
Most mathematicians derive aesthetic pleasure from their work, and
from mathematics in general. They express this pleasure by
describing mathematics (or, at least, some aspect of mathematics) as
beautiful. Sometimes mathematicians describe mathematics as an art
form or, at a minimum, as a creative activity. Comparisons are often
made with music and poetry. Paul Erdős expressed his views on the
ineffability of mathematics when he said "Why are numbers beautiful?
It's like asking why is Beethoven's Ninth Symphony beautiful. If you
don't see why, someone can't tell you. I know numbers are beautiful.
If they aren't beautiful, nothing is." Mathematicians describe an
especially pleasing method of proof as elegant. Depending on
context, this may mean:A proof that uses a minimum of additional
assumptions or previous results.
A proof that derives a result in a surprising way from an apparently
unrelated theorem or collection of theorems.
A proof that is based on new and original insights.
A method of proof that can be easily generalised to solve a family
of similar problems.
In the search for an elegant proof, mathematicians often look for
different independent ways to prove a result — the first proof that
is found may not be the best. The theorem for which the greatest
number of different proofs have been discovered is possibly the
Pythagorean theorem. Another theorem that has been proved in many
different ways is the theorem of quadratic reciprocity — Carl
Friedrich Gauss alone published eight different proofs of this
theorem.
Conversely, results that are logically correct but involve laborious
calculations, over-elaborate methods or very conventional approaches
are not usually considered to be elegant, and may be called ugly or
clumsy. Mathematicians see beauty in mathematical results which
establish connections between two areas of mathematics that at first
sight appear to be totally unrelated. These results are often
described as deep. While it is difficult to find universal agreement
on whether a result is deep, here are some examples that are often
cited. One is Euler's identity eiπ + 1 = 0. This has been called
"the most remarkable formula in mathematics" by Richard Feynman.
Modern examples include the Taniyama-Shimura theorem which
establishes an important connection between elliptic curves and
modular forms (work on which led to the awarding of the Wolf Prize
to Andrew Wiles and Robert Langland's), and "monstrous moonshine"
which connected the Monster group to modular functions via a string
theory for which Richard Borcherds was awarded the Fields medal.
The opposite of deep is trivial. A trivial theorem may be a result
that can be derived in an obvious and straightforward way from other
known results; however, sometimes a statement of a theorem can be
original enough to be considered deep, even though its proof is
fairly obvious. Some degree of delight in the manipulation of
numbers and symbols is probably required to engage in any
mathematics. Given the utility of mathematics in science and
engineering, it is likely that any technological society will
actively cultivate these aesthetics, certainly in its philosophy of
science if nowhere else. The most intense experience of mathematical
beauty for most mathematicians comes from actively engaging in
mathematics. It is very difficult to enjoy or appreciate mathematics
in a purely passive way - in mathematics there is no real analogy of
the role of the spectator, audience, or viewer. Bertrand Russell
referred to the austere beauty of mathematics.
Some mathematicians are of the opinion that the doing of mathematics
is closer to discovery than invention. These mathematicians believe
that the detailed and precise results of mathematics may be
reasonably taken to be true without any dependence on the universe
in which we live. For example, they would argue that the theory of
the natural numbers is fundamentally valid, in a way that does not
require any specific context. Some mathematicians have extrapolated
this viewpoint that mathematical beauty is truth further, in some
cases becoming mysticism.
Pythagoras (and his entire philosophical school of the Pythagoreans)
believed in the literal reality of numbers. The discovery of the
existence of irrational numbers was a shock to them - they
considered the existence of numbers not expressible as the ratio of
two natural numbers to be a flaw in nature. From the modern
perspective Pythagoras' mystical treatment of numbers was that of a
numerologist rather than a mathematician. In Plato's philosophy
there were two worlds, the physical one in which we live and another
abstract world which contained unchanging truth, including
mathematics. He believed that the physical world was a mere
reflection of the more perfect abstract world. Galileo Galilei is
reported to have said "Mathematics is the language with which God
wrote the universe", a statement which (apart from the implicit
deism) is consistent with the mathematical basis of all modern
physics. Hungarian mathematician Paul Erdős, although not a
believer, spoke of an imaginary book, in which God has written down
all the most beautiful mathematical proofs. When Erdős wanted to
express particular appreciation of a proof, he would exclaim "This
one's from the Book!". This viewpoint expresses the idea that
mathematics, as the intrinsically true foundation on which the laws
of our universe are built, is a natural candidate for what has been
personified as God by different religious mystics.
In some cases, mathematicians have made leaps of inference between
beauty and physical truth in ways that turned out not to be
confirmed. For example, at one stage in his life, Johannes Kepler
believed that the proportions of the orbits of the then-known
planets in the Solar System had been arranged by God to correspond
to a concentric arrangement of the five Platonic solids, each orbit
lying on the circumsphere of one polyhedron and the in sphere of
another. As there are exactly five Platonic solids, Kepler's theory
could only accommodate six planetary orbits, and was disproved by
the subsequent discovery of Uranus. James Watson made a similar
error when he originally postulated that each of the four bases of
DNA connected to a base of the same type in the opposite strand
(thymine linking to thymine, etc.) based on the belief that "it is
so beautiful it must be true." |